Too Many Cooks in the WIP

This weekend hubs & I started planning out our closed in porch off the back off our house. Hub's sister built a house a few years ago & her hubs is in construction. They came over to help with the planning. My mom-in-law also joined the party.

Measuring tape, pencil, graph pad - check. General idea - check. It's not going to be a perfect square, so there was quite a bit of discussion about how to square it up. Then, the roof has to slope naturally from the house. This means a .3 in. drop every foot in order to meet the outside edge. We need an outer entrance for the walkout; this generated a pow-wow on the benefits of inward vs. outward opening doors.

Mom-in-law has been terribly concerned that we will not have enough windows. And, because of the 16' across the middle, she decided we need a center pole or the entire roof will collapse. Of course, hubs explained that we have 2 different options to deal with that particular. However, a center pole would cut the space to unusable, so it's out the windows.

Bro-in-law, remember he's in construction, very quickly decided exactly how he is going to build this little structure of ours. Sis-in-law counted out the posts & supports; she also thinks we need to drill holes in the concrete & then secure the walls from there.

Me, I want a flower box. This means the half wall we are building will have to be tall enough to accommodate. After 2x4 vs. 2x8 discussions, my flower box is in the mix. And, hubs, he just wants a closed in porch where we can stargaze in the winter. Insulation, siding, design elements - they can wait until next spring.

So, here we are, drawing in hand. Wood needs in order. And, 5 divergent ideas on what this space should be. It's our house, so we get dibs, right? Well, kinda. We asked for the advice & we will need the labor aide because I cannot be counted on for construction. Hammer, screwdriver, wrench - I know what they are but that don't mean I know all the proper apps.

There has to be some give & take to get to the end result before the first snows fall. We will compromise on some things - mainly those we know little about. Like construction, gutter installation, connecting to existing electricals & roofing; all the important things. I will get my flower box however or this project is going nowhere!

This episode got me to thinking about critiques. Our vision, how it translates & when it doesn't, & how to apply the proper mix of fix without weakening the overall structure. These are the bits that go into the final product - from 1st draft to salable work. We had too many cooks in our porch pot & sometimes, in an effort to maximize feedback, we invite the entire cast of Iron Chef into our WIP.

This, of course, brings us to the question: How do you control your critique process? When you find a sticking point, how do you apply the philosophical rather than emotional reaction?

Happy Writing,

Patti

11 Character Building Moments

We all have character building moments in our lives. Decisions that shape who & what we are, how we react & ultimately what we will do in a given situation. Our characters also have these moments. And we, as their creators, have to give them depth & breadth to explore, grow & sometimes change.

Some important questions to ask your characters...

Where do you live? This is about time, place, country/region, living arrangements (parents, etc.). This is also about why he/she lives there & how they feel about it. If your hero lives in a trailer park with 15 children & no wife, then you as a writer have some material from which to build character & setting.

From where do you hail? If your trailer park hero (TPH) comes from a wealthy family, why he's chosen this path is integral to his character. This also plays a role in who his best friend is, where he works, the people he knows.

How old are ya? Age plays a vital role in attitudes & behaviors. If TPH is 85, he will not say, "Dude, where's my car?" He probably might start a conversation with, "In my day...."

What's in a name? A name is a label; it is indicative of upbringing, character, or character flaw. TPH, from a wealthy family, living in the trailer park could have the name Hyram Goodson. But his friends call him Hy or maybe they call him Ram. First & last names go together providing a sense of self or a delusion of self depending on how you tell the story. Pick up a book of names at your local library or even a phone book & see what happens.

Looks like rain? Physical characteristics tell us a lot about a person. Tall, vertically challenged, thin, rubenesque, etc. If TPH looked in the mirror what would he see? High school hero gone wrong, rich son turned social experimenter, disgruntled factory guy. How a character sees themselves & how we see them can sometimes be two different things. Give them the pen, they'll let you know.

Vat vas your childhood like? Sorry, Freudian joke. Supposing TPH came from money, what in his childhood caused him to run in the opposite direction. Did he get his high school girlfriend pregnant & get cut off? Did his parents fight over money? Was his mother an overbearing socialite insistent on good manners & bad affairs? Knowing from whence we come, determines where we are going.

What's your gig? Job, occupation, career. Each of these has a different meaning. A career woman is not the same as a salesclerk. CEOs have golden parachutes, vacation homes, IRAs. Career choice says a lot about your character. You're a writer & that says payloads about you. Self-motivated, goal-oriented, detail-oriented, creative, flexible, the list goes on.

Are you gonna pick that up buddy? Conflicts & change; the writers B&B. Passive-aggressive people do not, as a rule, go head-to-head with an adversary. But, maybe that's central to the struggle & pushing them to confrontation might be mission critical to your story. On the flip side, people who are confrontational don't go around grousing, they fight - bunches. Loud, gregarious, flamboyant even. Possibilities abound.

So, you got somebody special? And this isn't always the case. As a romance writer, my characters will have someone special. But, let's look at TPH - 15 kids, no wife. Um, he might not have time for a girlfriend or maybe he does. Depends on the story. But, how he interacts with others tells volumes about who he is as a person. If Flo three trailers down has been chasing him since his wife passed & he avoids her like mince meat pie, then we understand a bunch of different things about him.

What are your goals, son? Goals & motivations become the backbone of conflict in our stories. What your charcter wants, who he/she is & how they behave speak directly & conversely to this. For example, maybe TPH is a master of self-sabotage. Why? Because failure is not an option. But, maybe not trying is. So, he has to try, darn it. Or, the central conflict is lost.

What makes ya tic? Tics, those little things specific to each one of us. When you're nervous, happy, excited, angry what do you do? When I'm angry, my lips purse into a mottled concoction of lines reminiscent of too many lemons. That says something about how I deal with my own issues. And, it will say something about how your characters deal with theirs. Hand wringing, hair twirling, blank staring -  all are indicative of character. If TPH makes a fist every time he gets agitated that says something about who he is, how he deals & what his typical reactions might be.

Go to a favorite spot, watch people. It's research, if anybody asks. The mall's always fun - variety & all. There are also psychology books on everything from birth to death. For more information on character, I also recommend Writer's Guide to Character Traits.

 Happy Writing,

Patti