Vitamin 'A'

On the path to vitaminic clarity, thought we should look at some of the benies.

Fat-soluble – Nothing that doesn’t drive the story. Build believability. Deliver a message. Prepare for the ending. No gun fight at the homestead, unnecessary conversation or gratuitous act of sex or otherwise if it doesn’t speed down the same highway as the characters.

Healthy hair & skin – Stress builds strength of strand & glows through the skin of the story. Every stressful situation has a variety of options. What the character does or doesn’t do speaks to his/her internal strengths & motivations.

Better Eyesight – Personal agenda to be achieved; wide and narrow scope that drives the character to his/her inevitable conclusion. The POV character provides greater insight not only of themselves but the other players as well.

Bone Growth – Synthesizing main plot to the subplot lines of the antag/protag. Hero takes charge – point/counterpoint. Growth through action/reaction; even digression is a growth, albeit negative.

Reproduction – Prophetic rendering and foreshadowing. No miracles. No 11^th hour nun swooping in, her habit on fire, to save the hero/heroine. Subtlety is in the pudding; too many cookies and bananas will bore the reader. No good deed goes unpunished; so it must be delivered more devilishly than the last.

Happy Writing,

Patti

Point of View

This week I am reading Self-Editing for Fiction Writers by Browne & King. The book devotes an entire chapter to POV; which, is crucial to the telling of any story. And, one of the areas I have worked relentlessly to master.                                                                                             

First person, third person & omniscient. I have to say that of these, I was most fond of the last. And, after reading, I understand why. I could head hop like a hurdler making for the final gate, present everyone's POV & confuse everyone, including myself, all at the same time - which makes me the multi-tasker that I am. Wow, talk about convoluted reading - and writing.

So, I went back to my little novel & started thinking about who needed to tell the story. My MC, of course. It's her coming of tale, not anyone else's. Then I pondered the idea of first person narrative - the older, wiser version of herself able to provide valuable commentary, not on interior monologue, but on her plight of the moment.

That led me a wonderin' if a flawed narrator, a comedic narrator or another versioned narrator wouldn't improve the jumbled mess I'd made. Of course, the  "I" version denotes a level of intimacy that can be engaging, emotional & empty perspective. How many times have we retold some story & whittled out the embarrassing, the outrageous or the plain silly (from our view) parts in order to do the telling? I don't know about any of you, but I have a tendency to weed out the really embarrassing stuff for my own psyche to chew on, unless of course, it is super funny. If the flag's going to fly, I want it to have purpose.

Ah, so I came to third person, perspective - that's what I needed. Perspective. The equal distribution of intimacy & optics; a gymnast on the balance beam of my keyboard did I become. The filter on the world I needed turned out to be through my MCs eyes in such a way that did not embarrass her by being too close, clue her in too early thus elongating the commentary or spew cynicism for her younger condition. And, there you have it. I chose the third person & am pushing the consistency, the emotional view & the descriptives from one singular pair of goggles.

I have to say, though, that mastering all three is the eventual goal. For now, I have a direction, but the several tales in the back pocket of my WIP folder will eventually call for all of these, in some fashion or 'tother. In the meantime, I cram a book's worth in & regurgitate like a final-examer. Hoping to 'use the force,' find my equilibrium & write with the gale force of a Montana wind.

Q: Do you have a preferred method of story-telling; 1st, 3rd or omniscient? Why?

Happy Writing,

Patti Struble